My Blueberry Nights PRESSESTIMMEN:
Elizabeth findet heraus, dass ihr Freund sie hintergeht. In ihrem Kummer vertraut sie sich dem Cafébesitzer Jeremy an. Die beiden verstehen sich auf Anhieb und entwickeln schließlich Gefühle füreinander. Elizabeth ist jedoch noch nicht bereit für. My Blueberry Nights (deutsch: „Meine Blaubeernächte“) ist ein chinesisch-französischer Spielfilm von Wong Kar-Wai aus dem Jahr Der Regisseur. lebanonescorts.co - Kaufen Sie My Blueberry Nights günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. My Blueberry Nights [dt./OV]. (75)1h 35minX-Ray6. Alles beginnt mit einem Stück Blaubeerkuchen in einem kleinen verwunschenen Café auf Coney. My Blueberry Nights ein Film von Wong Kar-Wai mit Norah Jones, Jude Law. Inhaltsangabe: Eine gescheiterte Beziehung liegt hinter Elizabeth (Norah Jones),.
My Blueberry Nights ein Film von Wong Kar-Wai mit Norah Jones, Jude Law. Inhaltsangabe: Eine gescheiterte Beziehung liegt hinter Elizabeth (Norah Jones),. Unbestimmte Sehnsucht, ein Stück Blaubeerkuchen, die Atmosphäre eines Spätsommers - in seinem ersten englischsprachigen Film nimmt Regie-Star Wong. Für „My Blueberry Nights“ hat Hongkong-Regisseur Wong Kar-Wai nicht nur erstmals in den USA, sondern auch mit britischen und amerikanischen Darstellern. Deutscher Titel. My Blueberry Nights. An jedem neuen Ort tritt sie mit einer Variation ihres eigentlichen Namens Elisabeth auf. Datenschutzbestimmungen anzeigen. Verleiher Prokino Filmverleih. Mehr dazu erfahren Sie in der Stellungnahme der Chefredaktion. Er bleibt seinem unverwechselbaren Stil treu und erfindet sich gleichzeitig, in dem Land, in dem alles möglich ist, neu. Zum Trailer. Diese ermöglichen link bessere Https://lebanonescorts.co/filme-kostenlos-anschauen-stream/deliah.php unserer Website. Elizabeth tröstet die That 4 Hochzeiten Und Eine Traumreise Vox apologise. Leserbrief schreiben. Diesmal https://lebanonescorts.co/filme-hd-stream/zdf-em-studio-2019.php er sich die Motive des Road Movies und des Mario Barth zu Nutze - gepaart mit dem wunderbaren Wong Kar-Wai-Touch ergibt sich für seinen ersten englischsprachigen Langfilm so ein stilvoll fotografiertes und fabelhaft gespieltes Kleinod. Wong Kar-Wai. Von Wong Kar-Wai.
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My Blueberry Nights FILMHANDLUNGProduktions-Format. Leise Barmusik schafft mit viel Blues eine this web page intime Atmosphäre. Manchmal allerdings entstehen auch hier diese typischen Momente, in denen der Regisseur so betörend den Sehnsuchtsschmerz einfängt, wie es kaum einem anderen Regisseur gelingt. Wechseln Sie jetzt auf einen aktuellen Browser, um schneller und sicherer zu surfen. Ähnliche Filme. Farb-Format Farbe. Dort go here sie zwischen Sue Lynne und dem wegen der Trennung von dieser zum Trinker gewordenen Cop Arnie ein Ehedrama, wie es drastischer und tödlicher nicht sein könnte.
Two neighbors, a woman and a man, form a strong bond after both suspect extramarital activities of their spouses.
However, they agree to keep their bond platonic so as not to commit similar wrongs. The relationships of two couples become complicated and deceitful when the man from one couple meets the woman of the other.
A woman is haunted by memories of a dangerous mission she undertook while working as a secret agent. Elizabeth's heart is broken.
For solace, she drops in late at night a few times at Jeremy's diner for blueberry pie a la mode; they talk.
Once, he watchers her sleep, her head on the counter. Abruptly, she leaves New York City to get away from her pain.
She works a couple of jobs in Memphis. There, a heart-broken cop is drinking himself into oblivion, his ex occasionally showing up where he drinks and Lizzy works.
Then, she's in Nevada, working at a casino where she uses her savings she wants a car to stake Leslie, a busted gambler, in a high rollers' game.
After, Beth drives Leslie to Vegas where Leslie's estranged father lives. Broken relationships. What about Jeremy?
More coherent than many of Wong's efforts, it's been accused of being a "trifle"--or is it just that the plot seems silly now that it's all clear and in English?
Like all Wong's work, this is a film that's romantic, sad, and gorgeous to look at from first to last and full of strong, catchy pop-blues-country music Ry Couder did the score.
The beautiful Ms. Jeremy has a jar full of keys from patrons, each with a story, and Lizzie gives him hers, hoping her boyfriend will pick them up again.
Jeremy has his own lost love, Katya Cat Power ; she'll turn up later on just to say goodbye. Jeremy's keys stand for doors he himself doesn't want to close.
Though Lizzie's boyfriend never turns up, Jeremy and Lizzie begin to have late night chats and sugar orgies, she eating a piece of blueberry pie with ice cream--picking blueberry because that's the pie that's always left over at the end of the day.
Soon he will be alone, and Lissie will be away. This time instead of improvising as in the past, which among other things contributed to his last film, , a kind of summation of his Chinese themes and characters, taking five years to finish, Wong made up his story, with Norah in mind, and then had it turned into a finished screenplay subject to plenty of revisions, of course by crime novelist Lawrence Block.
This one had a low budget and took just a couple of months to make. Shooting time, that is. It really took a year to do the editing, but Wong had that finished, to everyone's surprise, just in time for My Blueberry NIghts to be shown as the opener at Cannes last year.
Like Wong's other films, this one encapsulates several different stories. The second one comes when Lizzie decides to "cross the street" to revisit Jeremy by the "longest way possible," which turns out to be a trip to Memphis and Nevada and points in between, thousands of miles and nearly a year--a time of self-discovery, no doubt though she doesn't observably change , and a period to avoid the inevitable romance with Jeremy.
Landing in Memphis Lizzie works at two jobs, saving up money to buy a car. Both are fine, acting their heads off in scenes heady with barroom dysfunction.
For once, an on-screen drunk admits to going to Alcoholics Anonymous--and collecting a beginner's chip over and over and over.
He throws the chips on the bar and they make a satisfying chink. But Arnie comes to a bad end, though Sue Lynne, despite rejecting him, keeps his tab open as she lights out for the territory.
Through all of this Lizzie constantly sends Jeremy a stream of postcards that are a kind of intimate diary, and he desperately tries to track her down by phone and letter, without success.
Every young filmmaker dreams of making a road movie, Wong Kar Wai has said. Though he's now fifty, this is a kind of new beginning, or felt like one to him.
But, he said, this movie isn't really a road movie; it's a vacation. And it's not about a journey, but about distance. Maybe the trip across the street for Lizzie is all a dream--one by Sam Shepherd, working with David Lynch.
Sue Lynne gives Lizzie a generous donation for being Arnie's barmaid too, and she lights out for Nevada. There she's working at a gambling dive where she meets a young woman named Leslie Nathalie Portman who's a pro, and they wind up leaving town together.
Those who seem disappointed, may miss the ellipses and madcap improv of the earlier films, and may have failed to notice that they were full of pop novel gimmicks and romantic cuteness.
Wong's sentimentality passes muster because of cryptic story lines, poetic voice-overs, hypnotic uses of music, and adventurous camera work--mostly by Christopher Doyle, here replaced by the half-French and wholly brilliant Darius Khondji --made infinitely rich by complex editing.
My Blueberry Nights is full of criss-cross angles, fast overlaps, closeups so shallow atmospheric Americana may go unnoticed, till a lovely panorama flits by.
Color is typically warm and dense. The effect is to make every frame a pleasure. Reciting Wong Kar Wai's list of features brings home how he single-handedly made the Eighties and Nineties an exciting cinematic time, from the first days when you had to go to a theater on the edge of Chinatown, and then you watched badly subtitled Hong Kong prints found in esoteric video shops, to the time when Tarantino's Miramax label, Rolling Thunder, distributed Chungking Express in a good print with clear titles and the secret was out.
Maybe Wong never did anything better than Days of Being Wild, the first film in which he became truly himself. But what does it matter?
The quintessential stylist, he cannot make a film that doesn't give rich aesthetic pleasure. US opening date April 18, Sign In.
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Rate This. A young lonely woman takes a soul-searching journey across America to resolve her questions about love while encountering a series of offbeat characters along the way.
Writers: Kar-Wai Wong screenplay as W. She regularly sends postcards to Jeremy, taking a liking to him, without revealing where she lives or works and, although he tries to locate her by calling all the restaurants in the area, he fails to find her.
Later on, he decides to send out postcards to any restaurants she may be to try to find her. One of Lizzie's regulars at both jobs is local police officer Arnie Copeland, an alcoholic who cannot accept the fact his wife Sue Lynne has left him and is flaunting her debauchery by openly socializing with a younger man named Randy.
He confesses to Lizzie his many attempts at achieving sobriety have ended in failure, taking many AA meetings but failing.
One night off duty in the bar where Lizzie works, he drunkenly threatens Sue Lynne with his gun if she leaves. Later on, Arnie drives drunk and dies after crashing into a pole.
Lizzie comforts Sue Lynne at the crash site, before leaving town, and is given the money towards Arnie's tab at the bar, revealing to Lizzie that she made a mistake and that she misses him.
The place where he died is also the place where they met, suggesting that he may have committed suicide. Heading west, Elizabeth — now calling herself Beth — gets another waitress job at a casino in a small town in Nevada.
Here she meets Leslie, an inveterate poker player who has lost all her money. When she does lose, she fulfills her promise by giving Beth her Jaguar, but asks her to drive her to Las Vegas so she can borrow money from her father, whom she has not seen in a long time.
While en route Leslie receives a call from a Vegas hospital, where her father has been admitted and is dying.
She believes the call is simply a ruse to lure her home, but upon arrival in Vegas she discovers her father died the previous night.
Leslie announces she wants to keep the car, which she had stolen from her father, who had sent her the title and registration despite their estrangement.
She confesses she really won the card game and gives Beth her promised share of the winnings, which she uses to finally purchase the car she always wanted.
As she eats a slice of blueberry pie, Elizabeth realizes her feelings for him are reciprocated. She passes out on the counter after spending the night, and Jeremy kisses her while she is asleep, and she returns the kiss as the film ends.
The idea for My Blueberry Nights originated from an anthology film that Wong planned to make under the title Three Stories About Food ; one of the film's chapters was ultimately released as its own film, In the Mood for Love , while My Blueberry Nights originated from another short film titled In the Mood for Love , which had only been screened once, at the Cannes Film Festival in Wong expanded the idea into a road movie that would take place in other locations besides New York, as filming entirely in the state would have been too expensive.
Wong chose to make the film in , after the postponement of another film. Crew members went on three location scouting trips across the United States.
Darius Khondji , the film's cinematographer , accompanied the crew on two trips, while Wong accompanied them for one; both of them took extensive photographs of diners, highways, and motels during their trips.
Ely, Nevada was discovered by Wong while traveling along U. Route 50 , and was chosen as a filming location. Wong called Norah Jones "a natural" and instructed that she not take acting lessons.
Production began in New York on June 21, Wong, known for last-minute decisions, chose a different bar on the day of filming, after concluding with Alson the night before that the bar in Ely was too small.
Filming in Las Vegas was set to begin on June 27, , and was expected to last five days. Scenes were also shot in a hallway at Desert Springs Hospital.
Jude Law called it "a living story that's still being decided. Law, speaking about Wong, said, "I've never worked with someone who's put so much emphasis on a single moment.
It's extraordinary how he'll take a moment and replay it and slice it up. Filming was completed in seven weeks.
Wong returned to Hong Kong in September , with most of the film finished. The Weinstein Company acquired the American distribution rights in November , while the film was being edited by Wong and William Chang.
Wong said he would probably return to the United States to conclude filming in the winter, but stated that he would not make a decision about additional filming until he had a first cut.
The film's ending had not been decided at that time. It opened throughout Europe and Asia before opening on six screens in the United States on April 4, , as a limited release.
The theatrical US version was edited to be slightly shorter than the version that was premiered in The site's critical consensus reads "Though well filmed, My Blueberry Nights is a mixed bag of dedicated performers working with thin material.My Blueberry Nights: Sendetermine · Streams · DVDs · Cast & Crew. Für „My Blueberry Nights“ hat Hongkong-Regisseur Wong Kar-Wai nicht nur erstmals in den USA, sondern auch mit britischen und amerikanischen Darstellern. My Blueberry Nights - alle Infos zum Film: Tickets • Trailer • Filmhandlung • Cast & Crew • Jetzt im Kino! My Blueberry Nights von Wong Kar-Wai DVD bei lebanonescorts.co bestellen. Unbestimmte Sehnsucht, ein Stück Blaubeerkuchen, die Atmosphäre eines Spätsommers - in seinem ersten englischsprachigen Film nimmt Regie-Star Wong.